Identically to the way act superstar closes, act two opens; this represents a unity of time. The inspector in this cat now gets serial to the point and works on each character, being utilize as a signalling device for the audience to foresee the ultimate downfall of each character. He uses several techniques in interrogating the characters; one example of this is putting words into the characters mouths. This technique gives great range of a function for dramatic irony. In this act Sheila has accepted her own ill-doing and now ironically hopes that Gerald shares in it. The act particularly focuses on Gerald and his relationship with Sheila.
Sheila starts to connect with the inspector and understands his actions, by her realising that the more good deal protest their innocence, the more people will prove their guilt. This is why An Inspector CallsÂ is a morality play where the audience learns along with the characters. When Gerald admits that he had an affair with Daisy Renton/ Eva Smith, she is upset but is emotionally self-coloured enough to cope with it and to even acknowledge that she is impressed by Geralds honesty.
Her realisation that honesty and truth really matter, show that she is equal of learning and changing. When the inspector leaves, Sheila is traumatized. She is fully aware of the responsibilities of the people roughly her and herself will become a better person because of it. She has interpreted responsibility of her actions and understands that a lesson has to be learned from the inspectors visit, prank or not.
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