Arms and the Man by Bernard Shaw

jenny wren became involved in this type of Classicism through his interest in Italian Renaissance architecture and his personal studies of Inigo Jones (Weaver 51). The influence of the classical way is evident in the refined and simple design of Wren's works, which argon "constructed on the finest principles of tradition, and free from all attempt at unfounded dramatic effect" (Dutton 12).

Christopher Wren's architectural designs were also strongly influenced by the elements of the french churrigueresco. Wren became familiar with this style during a inspect to Paris in 1665. In contrast to the refined style of Classicism, the Baroque was characterized by an emphasis on ornamentation and decoration. It has been tell that "the effect of the Paris journey was to give a French accent to Wren's work through step up his life, and to dilute the current of Palladian influence" (Weaver 51). Many historians have considered Wren's finest works to be in the Baroque style. For example, Sir Lawrence Weaver has called Wren's work on capital of the United Kingdom's St. Paul's Cathedral to be "the apogee of English Baroque" (76). On the other hand, flush toilet Summerson has claimed that St. Paul's Cathedral is primarily influenced by the styles of ancient Rome and is and then "a classical building" (Summerson 133). The disagreement between scholars on Wren's architectural style can perhaps be beaver expla

Sancroft, Archbishop, Dean of St. Paul's. "To Christopher Wren." 25 April 1668. Wren: His Work and Times. By John Lindsey. New York: Philosophical Library, 1952. 117-118.

Wren, Christopher. "To a Friend." 1708. Sir Christopher Wren. By Lena Milman. London: Duckworth, 1908. 339-346.

"Institute of British Architects: The Royal specie Medal." London Times 22 Jun. 1911: 10(e).

Most historians have hold that St. Paul's Cathedral is among Christopher Wren's finest work. The structure of the Cathedral had been overhauled just 25 years before by the architect Inigo Jones. Nevertheless, the damage caused by the huge Fire of 1666 revealed that the structure of the Cathedral was unsound. In a garner dated April 25, 1668, the Archbishop Sancroft, Dean of St.

Paul's, wrote Wren that he was correct in seeing the structural defects in the Cathedral during his visit there. Sancroft pointed out that the entire Cathedral would have to be redone because of the "grave defects in Inigo Jones's work" (117). In this letter, Archbishop Sancroft agreed with Wren that it would be needed to completely "rebuild a smart structure from the screen background" (Dutton 29). Thus, the design for the new St. Paul's Cathedral was entirely Wren's own. Wren's work on the Cathedral came to dominate a large portion of his calling as an architect. Thus, although the construction for the new St. Paul's Cathedral began in 1675, the cypher was not officially completed until 1711. Many critics have considered this London Cathedral as being among Wren's most important contributions as an architect. It has been noted that St. Paul's Cathedral as a whole combines the elements of Palladianism and the Baroque in order to arrive at a new style which is uniquely English. Thus, it has been said that "St. Paul's is incomparable . . . as a piece of architecture, and it is prodigiously English" (Weaver 77).

At that time, Wren wrote a letter to an anonymous friend in which he revealed s
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