Shawn Wong in American Knees

The general effect of the motive's collide with styles and tones is a curious authorial detachment which prevents the reader from becoming fully involved in the book, its characters, their relationships, and their embodiment of the ethnic and grammatical gender conflicts Wong means to explore. These drawbacks are unfortunate beca utilization, again, Wong is examining crucial line of works in American society with respect to ethnic and gender bias and misunderstanding. Wong is understandably a talented writer, alone he does not use his talent to his best advantage in this mishmash of a novel.

Wong's plan seems to be similar to other Asian- American writers whose protagonists compete to come to terms with their personal, pagan and sexual identities in a society which they are simultaneously drawn to and alienated from. That intention, it seems, is to go back a way to live comfortably with some locomote of the two cultures. Accordingly, Raymond tries to find success and happiness in American culture while maintaining his connections to Chinese culture.

In fact, the opening and conclusion lines of the novel appear to mark the beginning and end of Raymond's heathenish journey, at least insofar as it is mapped in the novel. The prototypal words of the book are his attorney's warning that "You won't even be Chinese after your wife's attorney gets through with you, Raymond" (11). Whether or not the divorce will indeed strip him of his ethnic roots, Raymond is further in danger of losing his sense of who a

The book picks up some steam with the introduction of break of day and her relationship with Raymond, but even that added excitement is bogged down regularly by the turgid piece of the sexual scenes, or the author's softness to express his social views, or even to ask intriguing cultural questions, without reverting to his clunky, sociological style: "Aurora wondered if portentous men who generate a thing for Asian women were less(prenominal) likely to be racist than white men who have a thing for Asian women" (94). Such disembodied declarations pulley the narrative flow and make the reader aware of the author pulling strings behind the characters.

Even when he puts such social comments in the form of a dialogue, Wong still besides often forgets he is writing a novel earlier than an essay or the transcript of a "panel discussion." or so every conversation in the book focuses on cultural differences, an unlikely occurrence which exposes not the individuality of the characters but Wong's intention to bring every interchange back to the subject of his inquiry.

beloved the end of the book, Raymond and his friend Jimmy are discussing Brenda's new male child friend. Raymond tells Jimmy the new man is a sociology professor who is writing a book called, Saving Face and Filial profession: Success and Failure Mechanisms in Romantic Heterosexual Liaisons amidst Americans of Asian Ancestry. In the first place, no person but the author himself would even remember such a title. to a greater extent importantly, however, the author's intention to mock such an academic, inhumane. sociological title and its implied tone-beginning to life and love and sex inadvertently highlights the basic problem with this novel. Like Brenda's new boy friend, Wong has a perspective on his material which prevents him from perceiving the humanity of his characters, despite the fact that he is authentic his perspective is precisely what is called for in culling the essence of their humanity. The sociology professor believes he has found a connection between the cu
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