mondrian Everything was spotless white, like a laboratory. In a get down smock, with his clean-s run throughn face, taciturn, wearing his heavy glasses, Mondrian seemed more a scientist or priest than an artist. The only relief to all(prenominal) the white were hulking matboards, rectangles in yellow, red and blue, hung in asymmetric arrangements on all the walls. Peering at me through his glasses, he noticed my glance and verbalise: Ive arranged these to install it more cheerful. Thus Charmion von Wiegand on Mondrians newly York studio. In his Paris studio he had used flowers to make it more cheerful.
One tulip in a vase, an artificial one, its leaves motley white. As Mondrian was probably incapable of irony, the tulip was unlikely to be a wry joke about his having had to produce flowerpieces between 1922 and 1925 when he no longer wanted to because there were no buyers for his abstracts. It could, of course, have been a revenge for the agony a compromise of that furcate must have cost him....If you want to get a full essay, order it on our website: Ordercustompaper.com
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