Look, stranger, at this island now by W.H. Auden This poem us a musical exercise in which the poet reveals his technical skill by using well-grounded techniques and analogical language to reinforce his commentary of a scene. It is one of Audens few poems of natural description, perhaps of the line in the West unpolished of England. The first stanza requires the stranger - mortal unfamiliar with the island of kingdom of Britain just perhaps acquainted with the crystallize of it as a numb and gloomy place - to spot across at, and re-examine his prepossess about, Britain, as it is revealed (discovered) for his manipulation by the solarize abridge leap and flickering on the waves of the sea. The alliteration and accord of -l- unspoilts (leaping, inflammationsomeness, delight) and of the dental -t- and -d- expectants (light, delight, discovers) in the second line, and the variety of considerable vowel sound sounds in leaping and light, together with the repetition of light, creates a quick dancing effect which mimics the reflection of sun off waves.
In two much commands the narrator requires the stranger to conceptualize and remain quiet so that he can rearing up the sound of the sea, alter in volume, perhaps fit in to the fixity required, while the model of stresses on wander and river, in the penult line, and on swaying sound of the sea, in the depart line, unite with the sibilance, conveys an idea of the ever-changing volume of sound approach shot from the sea, and the proceed whispering sound that it makes. The second stanza invites the stranger to stay at the point where a small field ends in a chalk cliff, which drops to a shingle beach below. The waves spate up the beach until they argon halted by the cliff. The assonance of the long -au-... If you motivation to get a full essay, order it on our website:
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