Tuesday, February 5, 2019

Technology - Digital Video and Copyright Fair Use Essay -- Exploratory

Digital Video and Copyright Fair Use accost Video is one of the most compelling forms of communication of this time. Over the extend of the past few years, the gradual but sure drift from line of latitude to digital in video technology has not only amend the abilities of ocular communication media to distribute data, but has also improved their abilities to forge the data that they distribute. Digital video technology has advanced to the extent that even image manipulation has been usurped by more powerful technological developments that forget elements of a video image to be manipulated in real-time. That is, objects or persons in a video image can be edited proscribed or edited in while the image is in unfold without the slightest glitch to suggest that some change has occurred everything would look real. The advantages that this technology opens for visual media are extensive. Similar to some technologies, however, it opens up an exploitive edge. Pixels are malleable (c an be changed) and using them to distort or manipulate reality is an probability open to all intentrs of video manipulation tools. The ethics of such uses and the cordial considerations of how copyright laws would deal with a technology which manipulates digital whole shebang of authorship, works to which copyright automatically attaches, are issues worth considering. This paper explores the possible and actual, good and less reputable uses of this technology in an attempt to stimulate discussions more or less how well-intended technologies can be utilized by users in unethical and denigrating ways. The paper also attempts to see where possible infringements of copyrights funfair use philosophy has occurred or could possibly occur through use of this technology. A n... ...pinions. Despite the m any issues connected to this technology however, the advantages it offers surpass any disadvantages seen thus far. References1. Amato, Ivan. Lying with Pixels, Technology Rev iew, Cambridge, Jul/Aug 2000. p.61.2. teach reference 1 above.3. actualise reference 1, p.62.4. See reference 3 above.5. Royal Philips Electronics, Imaging its digital future, Briefing, Volume 3, Issue 2, article no. 19.6. See reference 1, p.64.7. See reference 1 p. 65.8. Samuelson, Pamela. Copyrights fair use doctrine and digital data, Association for Computing Machinery., Communications of the ACM vol. 37, Issue 1 forward-looking York, 1994. p. 22.9. See reference 8, p.23.Additional- Samuelson, Pamela. Copyright and Digital Libraries. (class material)http//web5.computer-select.com/csweb/session/329/331/ (Article - pardon Video Hosting)

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